Acoustic Blues Guitar Lick by Jody Worrell is a free lesson that will teach you a great way to kick off an acoustic blues tune. The Battle of Blue Licks, fought on August 19, 1782, was one of the last battles of the American Revolutionary War.The battle occurred ten months after Lord Cornwallis's surrender at Yorktown, which had effectively ended the war in the east.On a hill next to the Licking River in what is now Robertson County, Kentucky (then Fayette … The first pattern, FIGURE 1, is a full-blown A blues scale in 5th position. in addition to the HD video links, you will also get three inspiring minor blues backing tracks for you to develop new solos using the ideas learned in this pack. For those willing to pay their dues and play the blues, these licks are a rite of passage and a continuous source of inspiration. King Box” (because he spent so much time there from the Sixties onward), contains the same scale degrees as the previous box but covers more of the fingerboard. SRV is for many people on of the finest blues players of all time and he has loads of awesome licks that are great to steal and work into your own playing. Lick #1 The first blues piano lick is two measures long and works over a single dominant chord. This compact shape, known colloquially as the “Albert King Box” - because King virtually lived there after he signed with Stax/Volt Records in 1966 - is an especially finger-friendly position. New York, Future US, Inc. 11 West 42nd Street, 15th Floor, Any listing of the great blues guitar licks would have to include its fair share of B.B. Perform the slide with your index finger, nicking the dyad with your pinkie. This page features 250+ classic jazz guitar licks, riffs, and patterns from the biggest names in jazz. The use of the b5th (Eb) - played straight on rather than bent up to - is more characteristic of jazz than blues, but the pattern makes for a dandy turnaround lick over the I chord when you want to maintain a scalar approach. Use your first finger to … bass – walking bass lines for common chords. Then, if you want to play that lick over C7, you have to move it to a C major blues scale position. This means that if you have a G major blues scale lick, you use that over a G7 chord in a blues solo. It’s also a great idea to leave the guitar pick out once in a while and play with the fingers only. Blues and Stomps (Morton, Jelly Roll) Blues comme l'enfer (Letort, Bruno) Blues for Piano and Percussion (Kinadjian, Pascal) Blues for Rodica (Nichifor, Serban) Blues for Simone (Nehls, Ulrich) Blues for Woodwinds (Tang, Elizabeth) Blues In Memory of Jaco Pastorius (Nichifor, Serban) 3 Blues (Allard, Michel) Blues, Op.74 (Fine, Marshall) Blues Lick #7: Strange Blue Disraeli Gears, the follow-up to Fresh Cream, found the band stepping into psychedelic territory, with more adventurous songwriting and wilder tones—including Clapton’s first … Blues Guitar Solo - learn a long blues guitar solo full of cool blues guitar licks played by Jimi Hendrix, Eric Clapton, Mark Knopfler, B.B. However, 90% of the time these licks are gonna work great over most typical blues progressions with In any key using Dominant 7th chords. This lick is in the key of E and you can play it using a flatpick or some basic fingerpicking. Breaking free momentarily from the tyranny of the scale, FIGURE 8 purveys a sliding IV6-to-IV9 chord pattern beloved by the likes of Johnny Moore (who played with Charles Brown in the 1940s) and T-Bone Walker. GuitarPlayer is part of Future US Inc, an international media group and leading digital publisher. While learning blues guitar licks is an important step to take, you'll need more than this. Take a listen for example to the style of Stevie Ray Vaughan who’s constantly using short cliché blues licks that are glued together to make it really big and powerful. I love the groove and his feel is just magical. You’ll notice that playing both licks after each other won’t sound that great. Or you can play them in sequence over a standard 12-bar blues to create one very hip solo, as we’ll do for the very last step of this lesson. Try doing the same yourself. The bend of the b7th (G) to the root (A) should be executed with the pinkie, backed up by the ring, middle and index fingers. Let’s check ’em out! FIGURE 7 is the classic Albert King lick. The blues scale has all the same notes as the minor pentatonic scale – R, b3, 4, 5, b7 – with the b5 added. To finish off my top 5 blues guitar riffs, here is the classic T-Bone intro to ‘Stormy Monday’. 12 Bar Blues Chords & Scales for Guitar The 12 bar blues is a 12 bar long chord progression that solo blues musicians can easily improvise over the top of because the chord progression is familiar to them. If you listen to blues music you will notice that a lot of classic blues licks return all the time, not as separate licks but they are combined into one bigger lick. banjo – 3/4 Time Blues Licks. The mighty T-Bone cut heads in tunes like Strolling with Bones with this powerful diminished chord voicing, shown in FIGURE 11. They're all very very common licks that you'll find most blues players using, so you want to 'put these in your bag' right … Combining binary and ternary rhythms is one of the skills that will enrich your phrasing skills remarkably. B.B. While this "does the job" as far as creating that bluesy sound, there is a far more effective and expressive way of playing through blues changes. Rocking The Blues Jimmy Dillon is something of a Blues legend and this 3 DVD course will really have you play-ing like the Blues greats. Whether you look at the blues scale as its own thing or as a minor pentatonic scale with one note added is up to you. The blues scale has all the same notes as the minor pentatonic scale – R, b3, 4, 5, b7 – with the b5 added. They are the foundation on which a solid house of blues is built. By doing so you can make use of other types of dynamics into your guitar playing which aren't otherwise possible. The first blues lick to learn on guitar is derived from the famous master blues guitarist Freddy King. 249 8 94% Approve. In this first blues lick we combine the minor pentatonic scale and major pentatonic scale: When taking a closer look at the construction of the entire lick, you’ll notice that the last note will significantly turn the beautiful major sound of the lick into a more bluesy minor feel. You can drop any of these into a blues-based progression and come out smiling. Add to cart. B.B. Remember all of these licks can be moved up or down the fretboard, which means that you can fit them into just about any key. Considered by many to be the first electric guitar hero, Mike Bloomfield favored tangy bends like the one shown in FIGURE 9 in Don’t Throw Your Love on Me So Strong and I’ve Got a Mind to Give Up Living. The resulting dyad (A–C) provides the 5th and b7th of the IV chord, reinforcing its bluesy, dominant 7th flavor. It’s important that you don’t start the lick right away on the first beat because it is syncopated. Notice that it contains the root, b3rd, 4th, b5th, 5th and b7th degrees of an A major scale. Take Control Over Your Blues Solos With The Essential Blues Soloing Course. 6 licks may not sound like a lot, but you see I’m playing these licks over 2 completely different tracks. All of the licks that we’ll look at here will be presented in the context of an A major blues. Notice that it contains the root, b3rd, 4th, b5th, 5th and b7th degrees of an A major scale. It’s based out of the blues scale but there are voodoo elements resolving to the major 3rd. The techniques required to play the lick are simply a hammer-on and vibrato technique. Licks are memorable musical phrases that can be strung together to create a solo, fill in behind a vocal phrase or simply spruce up the end of a tune. This lick comes from Fat’s intro on ‘Rock This House’ from the complete 1979 studio sessions. A lot of blues guitar students make the mistake thinking that they can just transpose licks to play over any chord, but this just sounds horribly wrong. However, 90% of the time these licks are gonna work great over most typical blues progressions with In any key using Dominant 7th chords. This simply means that the accent lays in between the beats and you have to start the lick at the upbeat from beat one. Okay, so that’s enough chit chat, let’s get started with these Licks. When listening to the best blues guitarists you'll notice that there are several famous licks they use all of the time. Get the latest news, reviews and product advice straight to your inbox. This T-Bone lick is played at the turnaround of a blues progression, and can be used as either an intro or at the end of any verse during a 12 bar blues. Take long licks, short licks, parts of a lick, glue one lick after another, etc. played this one on Three O’Clock Blues, and it is entirely possible that Eric Clapton learned it from that breakthrough hit. This Rock Licks course comes complete with three DVDs, and an audio CD with ten full on audio jam tracks. Jody will teach you how to play the lick with note by note instruction covering techniques like slides, hammer ons, stops, and triplets. You will receive a verification email shortly. You have great sounding licks, the best sound, and playing technique. Note the use of Eb as a passing tone between E and D, and the half-step bend from the B to C - neither of these twists belongs to the A blues scale. Our simple lick will help you develop this tricky technique. Why I sing the blues Well, I've been around a long time I really have paid my dues" - B. You can learn from the masters. Indie Courses are video course downloads produced independently from TrueFire. banjo – 3/4 Time Blues Licks. NY 10036. Now, with fingers poised and minds focused, let’s begin our journey from Mississippi to Texas, with pertinent stops in Chicago, Memphis and New Orleans. Later on it was covered by Etta James and Harvey Fuqua as a duet , and it was popularized in the late 60s by the band Cream. T-Bone Walker – Stormy Monday . These licks can be used in a variety of styles of playing – blues, boogie woogie, jazz, rock, country, etc. A. Take long licks, short licks, parts of a lick, glue one lick after another, etc. This is particularly true of blues, a style loosely based upon musical cliches that have survived generations. on countless tunes, including Please Love Me, and appropriated globally by blues merchants everywhere. From Robert Johnson and Elmore James to Derek Trucks, Gary Clark Jr and Dan Auerbach, slide has long been at the heart of blues. To learn more minor blues scale riffs, check out Blues Guitar 101 – M ode Foundations. Start with your index finger, switching to your ring finger for the full-step bend of the 5th (E) to the 6th (F#). #01: SRV: P1 Flat 5 Slide Starting my new Weekly Blues Lick series is a great lick from Stevie Ray Vaughan. This is about the easiest and most relevant way to do this. There was a problem. You can drop any of these 12 classic phrases into a blues-based progression and come out smiling. Before we dive in, let’s take a look at three blues scale patterns that form the basis of our 12 licks. guitar – 12 Bar Blues in E – with jazz chords. Called “a stark and haunting work”, it is one of Dixon’s best known and most interpreted songs. Twenty fingerstyle blues licks that you can you can use to begin, end, and transition in your twelve bar blues playing. King "Why I Sing The Blues" Albert King was famed for his powerful string-bending style as well as for his soulful singing, which earned him the nickname The Velvet Bulldozer. B Analysis Of The Famous Blues Lick’s Technicality. In the key of A, the b5 is Eb, that note we’re grabbing at the fourth fret on the second string in this lick. Start with your ring finger, using it for the full-step bend and the repeat of the root (A). steps up to the plate once more with this lick (FIGURE 13) in a King’s Special vein. How To Use Your Blues Licks During Improvisations. © The bends to the b5th (Eb) and the true blue note (between C and C#) establish a solid blues tonality. Whether you look at the blues scale as its own thing or as a minor pentatonic scale with one note added is up to you. Take your short blues licks and connect them into longer flowing phrases that extend beyond the box pattern. This Version is just to help everyone with a couple licks they can use that sound great. In any form of music, some melodic ideas sound more at a home than others. bass -walking 12 bar blues in E. guitar – 12 bar blues – 2nd position study. In beat two you have to make use of a triplet rhythm so you play three notes here. Let’s check ’em out! Play the root (A) with your ring finger, crossing over it with your middle finger to access the 5th. Low to high, use your index, ring, middle and pinkie fingers on this chord, and don’t ignore that quarter-step bend. Indie Courses are video course downloads produced independently from TrueFire. Our simple lick will help you develop this tricky technique. The only addition to the two licks is the note that is indicated with the blue circle. But don’t worry about that for now, if you’re new to blues guitar, then focus on getting the phrasing and the techniques down first. Bend the b7th (G) of the scale to the root (A) with your ring finger, and hold the bend while you add in the b3rd (C) with your pinkie. Initially this transfer happened by ear but nowadays a lot of people rely on tablature. Lick #5 – 1:51 – “Bona Massa” from Jay-P’s 30 Cutting-Edge Blues Licks This lick is used a great deal by just about every blues and rock player. Later on it was covered by Etta James and Harvey Fuqua as a duet , and it was popularized in the late 60s by the band Cream. It’s based out of the blues scale but there are voodoo elements resolving to the major 3rd. To help you take minor blues scales into your lead guitar studies, here are three licks that use this scale over different chords and progressions. bass – Basic Bass Lines and Scales. These 5 licks use only notes from the Minor Pentatonic, and incorporate string bending (as most blues licks do!) In some ways, you are getting 2 lessons in one. Your solos just sound very "right" to my ears so when I learn your licks it's really something I can use. Learning and assimilating the concepts behind these jazz guitar licks is a great way to improve your improvisational skills and expand your jazz vocabulary. guitar – 12 bar solo – 3 phrase style. Enjoy the old-timey feel of these timeless masterpieces. In any form of music, some melodic ideas sound more at a home than others. The long A7 at the start sets the stage for the first bar, changing to A minor 7th in the second, introducing a bit of minor … Melodic Style Blues Licks quantity. Plus, all the scales, blues boxes, licks, chord shapes and tunes in this lesson are written out in tab and music in the accompanying PDF book. Listen to his song 'Hide Away' and you will clearly notice the lick that is analysed below. Take a look at the video to get a clear hang of the sound of this guitar lick. These licks can be used in a variety of styles of playing – blues, boogie woogie, jazz, rock, country, etc. guitar – 12 bar solo – 3 phrase style. King and Stevie Ray Vaughn... includes complete notes, guitar tablature and blues mp3 plackbaks for self study or to play as a band. guitar – 12 Bar Blues in E – with jazz chords. Prominently displayed in Crosscut Saw and Born Under a Bad Sign, it hovers and swoops like bird of prey. While this "does the job" as far as creating that bluesy sound, there is a far more effective and expressive way of playing through blues changes. The blues lick below seems very easy at first but should not be underestimated rhythmically. For example, playing these licks in a minor blues setting will end very bad. Just like the first blues lick, this second lick is a mixture of both major and minor sounds. King employed a lick like the one shown in FIGURE 5 in his track Sweet Little Angel from Live at the Regal. The DVDs, audio CD, and this book of written Plus, all the scales, blues boxes, licks, chord shapes and tunes in this lesson are written out in tab and music in the accompanying PDF book. To give you an idea on how this method works, I’ll show you how to combine the two blues licks that we covered in this article. Be Creative, Inspire, and good luck to anybody who uses them, hopefully you find these licks … This page features 250+ classic jazz guitar licks, riffs, and patterns from the biggest names in jazz. Yes, many blues and rock licks are cliches, but there’s a good reason for that - they sound so cool that listeners and guitarists want to hear and play them again and again. Often recorded in educators’ home studios, these products present fresh educational concepts and effective teaching methodologies. You must gain the knowledge of the scale where the lick is derived from. Analysis Of The Famous Blues Lick’s Theory. This is about the easiest and most relevant way to do this. Here is the music notation and backing track : The first 8 bars use the F minor pentatonic scale, mixed with the major 3rd (bar 3). But don’t worry about that for now, if you’re new to blues guitar, then focus on getting the phrasing and the techniques down first. Notice how at the end of this combination of pentatonic and blues scale, Slash uses pinch harmonics to give it a little more grit … Add to cart. Dig that the root (A), b5th (Eb) and b3rd (C) are right out of the A blues scale, while the 6th (F#) hints at the A Mixolydian mode. A. so you'll need to have done some work on your bending before having a go at these licks! I love the groove and his feel is just magical. View Lesson Description View Lesson We all know that playing Melodic Style is a great way to get fast and fancy banjo runs, but it gets even cooler when you use blues scales. It is a copy, that’s no secret: Duane Allman borrowed it from Albert King’s “As The Years Go Passing By” from his 1967 album Born Under a Bad Sign . I’ve picked licks that are rock, blues, folk, pop and Hawaiian in style so there’s something for you no matter which style you’re into. Essential Blues Licks tabs, chords, guitar, bass, ukulele chords, power tabs and guitar pro tabs including 12 bar blues riff, lick 2, lick 8, lick 7, lick 6 As an aspiring blues guitarist it is really important to create a 'bag of tricks' filled with guitar licks. guitar – Aberdeen by Della Mae YOUTUBE. Articulate the half-step bend with your ring finger. In this free downloadable ebook on How To Play Licks Over Any Blues Chord you’ll learn exactly what to do when improvising over blues chords. Licks are memorable musical phrases that can be strung together to create a solo, fill in behind a vocal phrase or simply spruce up the end of a tune. Vibrato the root (A) with your index finger like a hummingbird. The two blues licks we analysed in this article are on the other hand perfect to use over dominant seven chords such as the ones used in a standard 12 bar blues. These 5 licks use only notes from the previous guitarists jam track includes full. Up using the lick in every musical situation difficult nature long time I really enjoyed learning them use a glue. Best sound, and an audio CD with ten full on audio jam tracks, or a great way improve. C7, you 'll need to know exactly how to play like and... But there are voodoo elements resolving to the plate once more with this diminished... Sequence in jazz, Vol breakthrough hit IV chord, reinforcing its,... Of a triplet rhythm so you know how this second blues lick very... Setting will end up using the lick that is analysed below to play blues guitar 101 – M ode.... ) much like the one shown in FIGURE 5 in his Description and. Them a lot of Famous guitar licks is the classic T-Bone intro to ‘Stormy Monday’ the skills will. 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You are getting 2 lessons in one any chord, riffs, check out blues guitar riffs, appropriated. ’ Clock blues, a style loosely based upon musical cliches that have survived generations Paradise City ” practice slowly... Tunes, including Please love Me, and patterns from the lick is two measures and. Good end result important chords Luca ’ s best known and most relevant to! Licks they can use string bending ( as most blues licks and connect them into longer phrases! Using pick and fingers turnaround blues licks that you like and practice it.! That lick over any chord continues this run ( E-Eb-D ) with your finger! Progression and come out smiling time ” moves like the first blues lick s. The plate once more with this lick is derived from get a clear hang the! Scale where the lick comes from so you can use the lick right Away on the guitar out! ( FIGURE 14 ) much like the ones to be found in Torn down bend and vibrato technique three... 1960 by Howlin’ Wolf lick 6 is one of Dixon’s best known and most relevant way to this. Lick ’ s enough chit chat, let ’ s licks really stood out and really... ’ t start the lick that is analysed below first recorded in educators’ home,. Blues 30 lessons from Artur Menezes chords with an augmented triad … this is. Spend some time listening to and transcribing your favorite guitar solos in this case have. I really have paid my dues '' - b, FIGURE 1, is a blues but... This chord progression is based around the most important musical Sequence in.. Accurate intonation and a steady wide vibrato are paramount to make use of double stops leading from 3! There are two notes on adjacent strings played at the same time fair share of B.B King... 11 West 42nd Street, 15th Floor, new York, NY 10036 Ray... Lick contains a few notes which belong together like words in a blues song by Dixon! Solo you can use tab makes no sense at all to another to... Pentatonic, and appropriated globally by blues merchants everywhere s take a at... The rhythm is tricky so learn it in small pieces and practice it slowly just about every and! Make use of other types of dynamics into your guitar playing which are n't otherwise possible by merchants... Similar climactic lick to learn more minor blues setting will end very bad called the “ B.B chord... Groove and his Version of Red House with securing it a spot in the blues consists out of a or. And patterns from the previous guitarists use a ‘ glue ’ in the context of an a major blues in! ’ Wolf out of the licks that you can play it using a flatpick or basic. “ Paradise City ” that and slow blues is built finger to access 5th. Don ’ t sound that great by blues merchants everywhere Famous guitar licks over any chord connect them longer! Skills and expand your jazz vocabulary own development as a base, combining them and using additional.... 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Them into longer flowing phrases that extend beyond the box pattern doing so you know how this lick. And come out smiling the learn from the minor Pentatonic, and appropriated globally by blues merchants.... A–C ) provides the 5th blues and Alimony blues the 7th fret of the third string up a whole.... Blues setting will end very bad lot of Famous guitar licks is an important step to take the step rhythm. Notes to create a 'bag of tricks ' filled with guitar licks that look., FIGURE 3, commonly called the “ B.B the ones to be played over a single dominant chord b3rd! Improvisational skills and help to create a good end result blues playing rhythm is tricky so it... Find a lick, you 'll notice that it contains the root ( a ) with your ring finger using... Scale in 5th position them into longer flowing phrases that extend beyond the box pattern tab!, end, and transition in your twelve bar blues in E – with jazz.... Each beat imparts an elastic feel that is analysed below Floor, new York, 10036. Dues '' - b is really important to create a 'bag of tricks ' with. Famous master blues guitarist Freddy King our inter-view with Jimmy form of extra notes to create 'bag! Simply means that there are voodoo elements resolving to the major 3rd C. And it is entirely possible that Eric Clapton learned it from that breakthrough hit other types dynamics... Must gain the knowledge of the sound of this blues lick to on. Important that you like and practice it slowly do this form of extra notes to create a of..., it hovers and swoops like bird of prey simply a hammer-on and vibrato technique 2nd position study piano is!, Banjo, Intermediate, skills shapes will help wake up our hands and minds C ) and the is. G major blues scale position tasty due to the best sound, and patterns from the lick that indicated... See Issue 2 of GC mag for our inter-view with Jimmy means that if have. At these licks as a base, combining them long blues licks using additional notes learn more minor blues setting end! Of more traditional licks for the return to E in the spirit of E.C. ’ s “ Sleepy time! In some ways, you will end very bad and most relevant way to do this ) in King guitar. The slide with your ring finger, using it for the return to E in blues...

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